(oh yeah, Spoilers galore)


My secret is that when I feel sad or wistful I like to walk around town at 2 or 3 am, playing all the instrumentals off the Sid and Nancy soundtrack on my ipod and pretend my life is movie and this is a short period of darkness which will be adequately expressed with ten minutes of exposition and flashback.
Because I’m bored and sick and basically completely boring, I have spent my free time this week, since my store is closed for renovations, reading comic books, listening to The Clash and The National, drinking myself into a Diet Coke coma, trying to figure out how to open a beer without a bottle opener, venturing out once to play cards on the balcony and wishing that had some better talent than writing. The rhetorical “they” like to say that its hard to live with a writer, but they never say anything about how much it really does suck to be a writer, or at least someone with a writer’s temperament. I want to go out and do things, I want to be part of groups, but I always fall into the background to observe and mentally record events for my abysmal future memoirs or whatever novel I’m working on that week. I don’t become interesting until at least midnight, when even without anything to drink or whatnot, my tongue becomes looser and my wit flows easier. It’s quite an odd little phenomenon actually, they should study me.
And then my insomnia keeps me up days on end and my demons force me to stay up ad write the days when I feel I can sleep and I become a wreck, sleeping through entire weekends. Writing is isolating, it just isn’t something that you can do easily in a crowd, it’s something that pulls me deep into myself and leaves me alone with empty words, writing about adventures that I will never have, because I will never put myself out there. It draws me deeper into my obsessions and depressions and makes me realize how fucked up I really am.
And maybe that’s not all writers.
We did this thing in writing class this week, where we all made lists of why we like to write and everyone’s was basically saying that it gives them excuses for antisocial behaviours. But god, I really wish sometimes that my brain was my own and I could do things when I wanted, rather than scheduling everything around unstable periods of inspiration. That I could sleep at night and live during the day. But I’ve tried and I fucking can’t. The trouble though is, I have to make up things to write about, because I’ve never done anything interesting. Instead, I find myself coming back to a certain type of tough, adventurous, fiercely independent character, who man or woman, is consumed by unrequited love. And I am never sure if I want to date them or if I want to be them.
Two examples, and two very similar characters that I’ve come across lately in my forays into the land of graphic novels, are Katina “Katchoo” Choovanski from Strangers in Paradise, by Terry Moore and Esperanza Leticia “Hopey” Glass from Jaime Hernandez’s side of Love and Rockets. And there is a ridiculous amount of similarities between the two of them. Though a lot of who they are is composed of negative characteristics, unexplored pain and anger, they both share a certain self assuredness and aggression that allows them to run their own lives and integrate themselves into the environment wherever they go through easy rapport and flirtation skills and doggedly protect the girl they love even when they don’t know what to do themselves.
Style wise at least, I’ve become a lot more like Katchoo as I’ve grown older (which is odd if you knew me as a kid in frilly pink princess dresses), that whole bedraggled, rock star who woke up on the floor after a rough night, and fumbled around to find something semi clean to wear thing, is the only place I can be right now, though it isn’t completely the way I dress at the moment, in all my little fears about being noticed, completing with my fears of fading away. It reminds me of the description of Lux Lisbon that I became so infatuated with; that she was the most naked person wearing clothes, shirts half untucked and full of holes, frayed hems, sleeves falling down her shoulders and socks drooping, just like it was impossible for her to keep all the pieces together and in place because her mind was so far away.
For Hopey though, clothes followed through on her antagonism, marking her as defiant and other. The character, part of the punk subculture in 1980s California, is defined best by what she hates. In a panel where each of the main Locas girls states their favourite member of the three stooges, Hopey’s answer is that she hates Joe. It also shows her as stubbornly and purposefully different even from her closest friends.
And one of the things she seeks to defy in her appearance is gender norms. Like Katchoo, she wears distressed jeans, leather jackets, sneakers and boots and left to her own devices, tuxedos for formal occasions. But unlike, Katchoo, her dress more about rebellion than simple indifference. She wear concert t-shirts for real and in story punk bands, ripped jean vests, a long overcoat and gets her hair cut at barber shops, going through periods with several difffernet extreme punk hair styles, most elaborately, as a teenaged wall tagger, a shaved head except for a small lock of hair. But rather than being completely Butch, she wears dresses (something that Katchoo refuses to do), elaborate 50s skirted ones or thrift store skirts, that she pairs with her short spiked masculine hair. She is also described as having mean eyebrows, which further shows her antagonism.

Locas or Hoppers 13, published in Love and Rockets, by Jaime Hernandez:
(I should note here that I have only read the first volume, 700 or so pages, entitled Locas, so things that happen or change in the second volume aren’t acknowledged)
In the 1980s, Huerta, California, known to locals as Hoppers 13, is a town with its own underground world of punk rock. It’s a world of youth, mostly Mexican American, marked by borrowed records, bands that constantly change their names, fake IDs, stints at strip clubs, police raids, open houses where people hang out for certain periods and are known to buy drugs, which places the story specifically within a set time and place. Hoppers as a setting is so integral to the story because it brings the main characters together into a claustrophobic, incestuous little community where everyone knows each other and occasionally hates each other, but due to proximity, still has to coexist and share windfall or lodgings. At the story’s beginning, most of the main characters are underage and there are very realistic moments of the gang waiting around outside the store for someone who can buy beer and running into each other as they walk by. But at the same time as waiting for someone willing to buy for them, they have also all gravitated there as a place to get information and find out what is going on in their little world. Similarly, is a section where a character travels around town looking for a record that he lent to someone, who lent to someone else, and managed to travel around through most of the main characters. These scenes remind me of summers, spent waiting around on people’s front porches or at convenience stores for something interesting to happen, and they are part of what makes the series seem real and relatable. Many sections like this have a slice of life style, put together in short segments told with different styles or perspectives, as well as long arcs of many chapters. One of Hernandez’s strengths is his seamless transitions between past and present, which allows him to flesh out how the characters have grown and changed throughout their lives and how they have changed Hoppers, as well as how it has changed them as they move from their teens into their forties.
This is the backdrop where two punk girls, best friends and occasional lovers, Margarita Luisa “Maggie” Chascarrillo and Esperanza Leticia “Hopey” Glass come of age and wander around, occasionally with purpose, but usually aimlessly, between adventures and friends who will let them sleep on their floors or couches. They are so much a pair that everyone refers to them as twins, doubles or as a couple and when one of them goes out alone, they are met with a constant barrage of questions about where the other is.
Early on in the story’s run, the stories were full of Sci-Fi elements with dinosaurs and superheroes and Maggie and Rand Race, her idol and early crush, being prosolar mechanics who fix rocket ships. As the series went on, these elements disappeared, but remained in pieces where they couldn’t be easily removed without changing a character, such as billionaire Herv Costigan’s horns and infrequent references to Rand Race as a prosolar mechanic, which explanation that that means rocket ships. However, of the two most fanciful arcs, one, the initial Mechanics storyline, is told through Maggie’s letters home to Hopey while away on a job and the other, Maggie Vs. Maniakk, is a story told by Maggie during a gathering, supposedly a memory, which means that they could be explained as stories made up to amuse her friends.
The story further challenges gender roles (as noted above in the character of Hopey) through Maggie’s initial profession as mechanic. Maggie’s low self-confidence is further shown through her inability to reconcile herself with a job she sees as traditionally masculine, even though other characters encourage her and reassure her of her talents. Unlike Hopey, who often has too much self confidence and alienates people, Maggie lets herself be convinced to do things and often falls into doing whatever’s easiest and less transgressive, rather than what she really wants to do or feels is right. Her relationship with Hopey, allows her to come out of her shell a bit and find her place in Hoppers’ punk rock underground. She is also easily affected by what other people think, running Hopey, who can blend more easily, off when some men make fun of her for being Mexican, and very sensitive about her weight, guilt over her parents’ divorce and whether she looks punk enough. Though she won’t define her sexuality and avoids any questions that come her way, Hopey only dates girls and has a certain mastery at picking them up. She sleeps with different women over the series run when she is bored, lonely or needs a place to stay and got herself pregnant when she got drunk and slept with a man (though she miscarries).
Maggie, however, has always liked men except for Hopey and while she isn’t afraid of revealing it, she has never concretely defined herself either.
The series chronicles Maggie and Hopey’s years together and their long years apart on various adventures or jobs, usually focusing on Maggie as the main character. There is also a lot of focus on female wrestlers, through Maggie’s aunt Vicki Glori and friend Rena Titanon who are integral to different parts of the plot and catalysts for certain journeys that Maggie goes on as is her own difficulties with her aging. Hopey’s adventures are generally brought upon by her membership in different bands and touring, as an indie punk band is portrayed in an enticing manner, as a group of friends fighting and breaking up and sleeping in the car when they can’t afford a motel.
Other important characters are Ray Dominquez, Maggie’s boyfriend of two years, an artist who never really gets over her and Daffy Matsumo, a well off, Asian American girl a lot younger than the rest of the group, who desperately wants to feel like she belongs in the group. Izzy Ortiz Ruebens, an older woman who acts as a sort of godmother to the younger girls and who had a mental breakdown during a trip to Mexico following a divorce and abortion, that left her unstable and easily obsessed with certain missions, such as the flies on her ceiling and finding out what happened to Hopey and Maggie when they disappear. Terry Downe is Hopey’s ex-girlfriend who is very jealous of Maggie and possessive of Hopey. She was Hopey’s guide into the punk scenes and played a role in shaping her identity, initially telling Hopey that if she ran way with her she would kill her if she touched anyone else (as Terry herself was told when she was younger and in Hopey’s position). However, as she grew up and their relationship progressed, Hopey became the dominant partner, threatening Terry and having her own ideas about things they could do, such as getting revenge and the people who were mean to her in school. Hopey still manages to be friendly to Terry Downe, who takes most of her anger out on passive aggressive towards Maggie and does try during their tour to get Hopey to stay in touch with Maggie. Terry is also a talented musician who longs for a band who takes music seriously and practices, unlike her initial band with Hopey. She is initially set up as a villain, but stories such as Tear it Up, Terry Downe, create sympathy for her and make her more of a complete character with her own worries. Beatriz Garcia, initially nicknamed Penny Tentiary, “because she’s so crazy” goes by Penny Century because Maggie misheard the nickname and Penny liked it. Penny is beautiful, frequently naked, eccentric, and her dearest wish is to be a superhero. She marries Herv Costigan but is never fully happy though she does care about him.
Locas is initially ran in Love and Rockets, an anthology series written by brothers Gilbert (who writes the Palomar side) and Jaime (who writes the Locas side) Hernandez (and occasionally brother Mario), from 1982-1996. It was a notable part of the 1980s underground comics movement.

Strangers in Paradise, by Terry Moore:
In high school, Katina “Katchoo” Choovanski, a rebellious girl from a poor family who left her house through the window rather than the door and wore a leather jacket each day, met Francine Peters, a quiet middle class girl who was afraid to break rules and whose most embarrassing moment was flashing the whole school in the senior play. Instantly, Katchoo knew it was love, Francine however, thought she’d just found her best friend. However, before anything could really be defined, Katchoo ran away from home to escape her abusive stepfather and indifferent mother and left Francine to navigate her way to adulthood alone (and off panel), a path which involved expulsion from college for an incident involving a nude statue of herself erected on the quad.
Years later, the girls, in their early 20s, are living in a rented house in Houston and their relationship hasn’t changed. Still shy and lacking self confidence, Francine is an office worker who dates men who seem to only seem want her for sex and has many very short and unsatisfying relationships. At the story’s beginning, she has been dating Freddie Femur, a lawyer, for a year and afraid he will break up with her after they have sex, has been making him wait. Katchoo, now a painter and a recovering alcoholic, spends her time dreaming about Francine and agonizing about her past, involving an L.A. call girl operation, the mafia and eight hundred thousand dollars of mob money stolen from her former lover, the power and vindictive Darcy Parker who marks everything she “owns” including Katchoo, with a lily emblem. She worries that her past will find her on day and feels as if she is living on borrowed time, as evidenced by her habit of breaking alarm clocks and her dreams wherein she fears waking up. Quickly her worst fears come true and the characters are swept up into multiple crime story arcs involving a presidential election, a plane crash, shady business deals, FBI investigations and an ambulance bombing plot (that is never resolved), among other things.
While the crime storylines are interesting and frequently addictive, the real heart of SiP is the relationship between Francine and Katchoo, that is forever hovering somewhere between being friends and being lovers. Although they go back and forth so many times that it gets a little frustrating, this might be because the characters are written so well that they seem real and the reader becomes emotionally invested in their relationship and cheering them forward. Katchoo, though she does not initially identify as a lesbian, hates men and even as a call girl, had only women clients. Francine, however, has always had a picture in her head of marrying a man, having children and settling down with him and cannot reconcile her feelings for Katchoo with her idea of who she is supposed to be. Through the years of the story, they kiss several times and come close to having sex, but are thwarted time and time again by Francine’s fears and Katchoo’s growing impatience with Francine’s indecision, which grows into stubborn denial that Francine will ever make and stick to a decision. They go through long periods of separation involving Katchoo’s forced involvement with Darcy Parker’s companies and Francine’s “dream marriage” to a doctor, which ultimately fails and brings her back to Katchoo for the last time.
Complicating matters is David Qin, an art student who quickly becomes infatuated with Katchoo, who her verbal abuse and pronouncement that she doesn’t like men, cannot scare away. Francine is jealous and Katchoo isn’t sure how she feels about David, wondering if she loves him and if wants a relationship with him, despite her up to this point, singular attraction to Francine. Moore got a lot of flack for David and Katchoo’s relationship, particularly from LGBT groups, but to his credit, David always accepted that for Katchoo, Francine would always come first and he resolved that he wanted to spend his life with her, even if it was only in a platonic relationship. Eventually, after Katchoo has a revelation that even sex with Darcy, who she hates, is better than with David who she loves, she realizes she is only attracted to women and David becomes more like a brother figure to her (although when he discovers he is dying of a brain tumor, they decide to have sex to conceive a child to keep a part of him around). Like Katchoo, David has a shady past, as Darcy Parker’s brother and son of a power member of the Yakuza, who found religion after murdering a man.
Another important character is Mary Beth “Tambi” Baker, Katchoo’s long lost half sister who is militant, scheming and built like a body builder. As the story goes one, Tambi develops a soft spot for her younger sister and becomes more humanized, but never loses her edge and her quickness to threaten and fight, something which Katchoo shares to a lesser degree. Early on she is indistinguishable from her twin sister Bambi, who resents Katchoo for getting in the way of their plans through her relationship with Darcy but Tambi becomes a clear ally and eventually a member of the tight knit family the main characters form. Casey Bullocks Femur is a bubbly and warm-hearted personal trainer who tries to solve any problems that come her way through plastic surgery, and enters the story upon her marriage to Francine’s ex, Freddie who still harbors an obsession with Francine. Loveable and loyal Casey is compared to a puppy and is always trying to bring people together, but her plans are usually flawed. After her divorce from Freddie, Casey becomes close friends with the group, falling for David and at different periods, Katchoo and Francine, when estranged form each other, consider her their best friend.
SiP is comprised of three volumes, beginning with a three issue miniseries, then volume two, the series and ends with the new series, volume three. It was mostly self-published by writer/artist Terry Moore and ran from 1993 to 2007. It differs from Locas in that the plot unfolds in less of a day-to-day observational manner and has more of a linear structure (except for a three issue high school miniseries and infrequent flashbacks). Time and place are less important and never really determine the story. When they are referenced, it is typically through the characters’ musical tastes: Katchoo listened to Van Halen and Pink Floyd in high school, later on Francine listens to Todd Rundgren and feels nostalgic, and early in the story, David, Francine and Katchoo like Bjork and Tori Amos. However, that Katchoo likes John Lennon and Elvis doesn’t really say anything about age or time period as they have become more ubiquitous likes.
Katchoo is more of the main character of the story, though the story is more equally split between Francine and Katchoo them than Locas is with Maggie and Hopey. Her love for Francine is portrayed as more agonizing and consuming, but this might be because SiP focuses more on her and lets the reader into her head through diary entries, poems, narration and her silent gestures and expressions, through which Moore is able to convey so much.
And there are so many easy comparisons to be made between the two characters.
Katchoo and Hopey:
Both characters are confident and self assured and have a certain quality that draws people to them eve when they try to push them away, easily developing a rapport with the people they meet no matter who they are. They have a subversive, argumentative, punky edge, wear leather jackets, get in fights and are drawn to revenge and protecting their loved ones. When angry, they quickly explode into violence, fighting and yelling and they get angry easily and are both stubborn about giving in, but they are much softer than their tough front makes them seem. Though they can get almost any girl they want easily, they are both fixated on one girl, Maggie/Francine, no matter how much time passes between the last time they saw her. They both use sarcastic banter with good-natured insults to Maggie/Francine and trade inside jokes and nicknames. While Maggie and Francine work various jobs they aren’t always happy with, Hopey and Katchoo subsist mainly through art, that doesn’t always make them money. Hopey starts out living on an inheritance that quickly dwindles out, leaving her to survive on meager means, staying at people’s houses, taking a wallet from a man after pretending she was a call girl, but mainly she is a member of punk bands, playing the bass badly. Gradually she grows up and matures, becoming stable as gets older and can no longer fit into her young, defiant, nihilistic role and the punk subculture. Hopey gets an assistant teacher job. Katchoo throughout the series handles obscene amounts of money in her involvements with Darcy Parker’s company, but always seems to lose it and be left with nothing but their stolen eight hundred thousand that she refuses to use until there’s an emergency (and eventually uses to buy a house with Francine). While she begins not making a lot of money from her paintings, with various gallery shows, she eventually becomes a fairly famous artist and as she matures and becomes more stable and less angry, believing she is too old for anger and fantasizing about Francine, she gets serious about her art and starts Studio Katchoo, her own studio where she trains artists. Oddly, though they were originally the troubled one, Katchoo and Hopey grew up mostly unscathed, leaving Maggie and Francine as a the troubled, unhappy ones who needed someone to help them.
Maggie and Francine:
Both Maggie and Francine, turn to food when they have problems and put on weight easily, which makes them even more self conscious than they were initially, but Katchoo/Hopey doesn’t care and loves Maggie/Francine anyway, even with perfect bodied Casey/Penny around (when Katchoo sleeps with Casey it isn’t because of her appearance, more because of loneliness and being tired of Francine’s pattern of constantly accepting her and rejecting her for years on end). Maggie and Francine dress and act more feminine and both have low self confidence related to their work and successes, needing Katchoo/Hopey to build her up and bring her out of her shell. Both pairs are treated as and even called a couple, by outsiders. While Hopey and Maggie actually have sex while never being a real couple, Katchoo and Francine kiss, but while they come close to going further, Francine is always to afraid to go further until the end of the story when they end up together. However, while Francine has to struggle with her sexuality before reconciling her love for Katchoo, Maggie is able to have a sexual relationship with Hopey without defining herself. Neither can fully define themselves as queer because of expectations placed on them: when Katchoo becomes a threat to Francine’s marriage, Francine’s mother, Mary becomes hostile towards her, likewise, Maggie’s aunt Vicki has to lie to Maggie’s mother and tell her that she is still living with her rather than Hopey because of Hopey’s sexuality. Maggie remarks that she wasn’t able to join in a threesome with Hopey and Mary Christmas because she has been with Ray for so long she’s gotten used to “normal sex” something which offends Hopey in a manner reminiscent of Katchoo’s initial reaction to Francine calling the thought of moving forward to sexual activity a “bad dream” she has awoken from. But where Katchoo blows up at Francine and rips apart the kitchen in her temper before crying, Hopey gets angry, but tries to put it behind her because she knows it is a manifestation of Maggie’s love confidence. They both also have divorces from men and flashback dreams when older, about being younger and making different decisions: Francine, when trying to decide whether to marry Brad, imagines that she and Katchoo got together in high school or that they do many years into the future if the marriage is the wrong choice, Maggie, after being slapped by an old woman for being a home wrecker/whore, imagines that it has all been a dream and she is waking up when Hopey left to go on tour the first time, this time taking her with her.
Courtship:
The best moments of their courtship, as young, Romeo-like figures are the silent gestures. In high school, Katchoo deduces, that girls in their gym class hit Francine while playing volleyball and goes in, ruthlessly taking them down and then accepting the punishment and taunts about her sexuality from her ex-boyfriend in long sequence without saying a word. There is also a great panel where she stands outside Francine’s house, the wind blowing her hair and her jacket around her and watches Francine’s happy family having dinner, full of love and envy. Young Hopey, out with Maggie, carves something in the wet cement that the reader doesn’t see at the moment, telling Maggie it doesn’t matter and she can see it later. The story moves back to present day and reveals that Hopey wrote Hopey Loves Maggot (Maggie’s nickname used primarily by Hopey). This is particularity significant because Hopey isn’t one to easily confess her feelings. When they’d first met, both Hopey and Katchoo also go stand out at Maggie/Francine’s window and speak with her. Between Francine and Katchoo this becomes a ritual and a clear attempt at courtship, as Katchoo tells her she’s noticed her at play rehearsal and thinks she is beautiful. She also kisses her hand before she leaves, clumsily running into the sprinklers outside. Moore even make’s one of Katchoo’s speak bubbles into a heart. My favourite moment in SiP is the section where Katchoo dreams she in the guise of Prince Charming makes a sleeping Francine/Snow White with a kiss and convinces Francine to be with her even though she is a woman, arguing love and logic and winning. However, she wakes up crying.
“Talents”:
Katchoo was the highest priced call girl in Beverly Hills because she “could do things” and her talents have after one night sleeping together, have left Veronica obsessed with her and made her Darcy’s favourite. Hopey has “a tongue faster than Muhammad Ali and sweeter than Dolly Parton, when they were 20”, and while staying with aging actress Nan Tucker, who hires prostitutes to pretend to be little girls, she goes down on one of them to shut her up, the other little girls are in awe and say things like “has Jenny the Jet finally met her match?” Throughout their stories, both show that they are good at attracting attention from both sexes and are good at picking up women. They also have no qualms about modesty or sexual restrictions and share a similar, slim, boyish body type. Hopey exchanges sex or the promise of sex so she has a place to stay- with Terry, Maya, Jewel, Mary Christmas, etc. Katchoo stays with Darcy as her live-in girlfriend and later Margie McCoy offers Francine and Katchoo an apartment because of her crush on Katchoo (which goes nowhere)
Separations:
Both pairs have a long spanning on/off relationships marked by long separations: Katchoo runs away to LA in high school, Katchoo goes to Canada to be with her ex-girlfriend Emma while she’s dying of AIDS, Katchoo goes to LA to find David, after the plane crash Katchoo leaves for a year to work for Tambi, running the company with her innate business acumens from an isolated house where she falls back into drinking and self destruction, Katchoo and Francine separate for a long time after Francine’s wedding to Brad. Hopey leaves Maggie to go on tour and is ultimately gone for 2 years, they have a fight and Hopey hangs around on the east coast for a while, not seeing Maggie until many years later, when they are arrested together.